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The Satanic Verses: A Novel by Salman Rushdie
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The Satanic Verses: A Novel by Salman Rushdie

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✅ #1 NEW YORK TIMES BESTSELLER • “[A] torrent of endlessly inventive prose, by turns comic and enraged, embracing life in all its contradictions. In this spectacular novel, verbal pyrotechnics barely outshine its psychological truths.”—Newsday.

✅ “Rushdie is a storyteller of prodigious powers, able to conjure up whole geographies, causalities, climates, creatures, customs, out of thin air.”—The New York Times Book Review.

✅ “A novel of metamorphoses, hauntings, memories, hallucinations, revelations, advertising jingles, and jokes. Rushdie has the power of description, and we succumb.”—The Times (London).

✅ “Exhilarating, populous, loquacious, sometimes hilarious, extraordinary . . . a roller-coaster ride over a vast landscape of the imagination.”—The Guardian (London).

 

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#1 NEW YORK TIMES BESTSELLER • “[A] torrent of endlessly inventive prose, by turns comic and enraged, embracing life in all its contradictions. In this spectacular novel, verbal pyrotechnics barely outshine its psychological truths.”—Newsday

Winner of the Whitbread Prize

One of the most controversial and acclaimed novels ever written, The Satanic Verses is Salman Rushdie’s best-known and most galvanizing book. Set in a modern world filled with both mayhem and miracles, the story begins with a bang: the terrorist bombing of a London-bound jet in midflight. Two Indian actors of opposing sensibilities fall to earth, transformed into living symbols of what is angelic and evil. This is just the initial act in a magnificent odyssey that seamlessly merges the actual with the imagined. A book whose importance is eclipsed only by its quality, The Satanic Verses is a key work of our times.

Praise for The Satanic Verses

“Rushdie is a storyteller of prodigious powers, able to conjure up whole geographies, causalities, climates, creatures, customs, out of thin air.”—The New York Times Book Review

“Exhilarating, populous, loquacious, sometimes hilarious, extraordinary . . . a roller-coaster ride over a vast landscape of the imagination.”—The Guardian (London)

“A novel of metamorphoses, hauntings, memories, hallucinations, revelations, advertising jingles, and jokes. Rushdie has the power of description, and we succumb.”—The Times (London)

 

Editorial Reviews:

 

Amazon.com Review

No book in modern times has matched the uproar sparked by Salman Rushdie’s The Satanic Verses, which earned its author a death sentence. Furor aside, it is a marvelously erudite study of good and evil, a feast of language served up by a writer at the height of his powers, and a rollicking comic fable. The book begins with two Indians, Gibreel Farishta (“for fifteen years the biggest star in the history of the Indian movies”) and Saladin Chamcha, a Bombay expatriate returning from his first visit to his homeland in 15 years, plummeting from the sky after the explosion of their jetliner, and proceeds through a series of metamorphoses, dreams and revelations. Rushdie’s powers of invention are astonishing in this Whitbread Prize winner.

 

From Publishers Weekly

Banned in India before publication, this immense novel by Booker Prize-winner Rushdie ( Midnight’s Children ) pits Good against Evil in a whimsical and fantastic tale. Two actors from India, “prancing” Gibreel Farishta and “buttony, pursed” Saladin Chamcha, are flying across the English Channel when the first of many implausible events occurs: the jet explodes. As the two men plummet to the earth, “like titbits of tobacco from a broken old cigar,” they argue, sing and are transformed. When they are found on an English beach, the only survivors of the blast, Gibreel has sprouted a halo while Saladin has developed hooves, hairy legs and the beginnings of what seem like horns. What follows is a series of allegorical tales that challenges assumptions about both human and divine nature. Rushdie’s fanciful language is as concentrated and overwhelming as a paisley pattern. Angels are demonic and demons are angelic as we are propelled through one illuminating episode after another. The narrative is somewhat burdened by self-consciousness that borders on preciosity, but for Rushdie fans this is a splendid feast. 50,000 first printing; $50,000 ad/promo; first serial to Harper’s; BOMC alternate; QPBC alternate; author tour.
Copyright 1988 Reed Business Information, Inc.

 

From Library Journal

When a terrorist’s bomb destroys a jumbo jet high above the English Channel, two passengers fall safely to earth: Gibreel, an Indian movie actor, and Saladin, star of the controversial British television program, The Alien Show . The near-death experience changes them into living symbols of good and evilSaladin grows horns, Gibreel a halo. From this fantastic premise Rushdie spins a huge collection of loosely related subplots that combine mythology, folklore, and TV trivia in a tour de force of magic realism that investigates the postmodern immigrant experience. (Why does an Indian expatriate feel homesick watching reruns of Dallas ?) Like Rushdie’s award-winning novel Midnight’s Children ( LJ 2/15/81), this invites comparison with the miracle-laden narratives of Gabriel Garcia Marquez. Highly recommended. Edward B. St. John, Loyola Law Sch. Lib., Los Angeles
Copyright 1988 Reed Business Information, Inc.
 

 

About the Author

Salman Rushdie is the author of fourteen previous novels, including Midnight’s Children (for which he won the Booker Prize and the Best of the Booker), Shame, The Satanic Verses, The Moor’s Last Sigh, and Quichotte, all of which have been shortlisted for the Booker Prize; a collection of stories, East, West; a memoir, Joseph Anton; a work of reportage, The Jaguar Smile; and three collections of essays, most recently Languages of Truth. His many awards include the Whitbread Prize for Best Novel, which he won twice; the PEN/Allen Foundation Literary Service Award; the National Arts Award; the French Prix du Meilleur Livre Étranger; the European Union’s Aristeion Prize for Literature; the Budapest Grand Prize for Literature; and the Italian Premio Grinzane Cavour. He is a member of the American Academy of Arts and Letters and a fellow of the American Academy of Arts and Sciences, and he is a Distinguished Writer in Residence at New York University. He is a former president of PEN America. His books have been translated into over forty languages.

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Customer Reviews

Based on 101 reviews
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Shahram K.

Terrific book. No real reason to add to the other 200+ reviews, I'm sure the other guys covered all relevant points. Wikipedia has a decent synopsis on the subject, but they do give the ending away. Anything that inspired an Islamic fatwa in the 80s is probably progressive. The entertainment value was a bonus.Signed,An Iranian American

K
Karin O.

This really is a masterpiece of magical realism and one of the top novels of our time. When I first started in on it I struggled, but once I surrendered myself to the words and imagery the story flowed like liquid silk, weaving a complex, amazing tale. The use of dreams, different times, places, eras, religion and characters is just amazing to me. How Rushdie created this world, has left me in awe. Truly one of the greats!

S
Saurabh P.

Great read in the genre of magic realism. Only Rushdie's metaphoric genius could blend the (then) current social milieu with such absorbing storytelling. Without giving any more spoilers, loved one of the central characters vacillations between the real world and its hallucinations.

J
J

I was a kid when the controversy around this book hit, and I guess for that reason I always thought it was a very heavy, tedious, high-brow work. In fact, "The Satanic Verses" is a fun and funny narrative. The style reminded me of Gabriel Garcia Marquez -- the lines between the supernatural and the mundane are erased.For Western readers who do not know as much about Islam as they might like to think (count me as one!), the book can actually serve as a guided tour of the religion. As I read this book, I looked up every event and name that seemed significant and I learned so much about Islam. It also becomes obvious why some Muslims would be offended. "The Satanic Verses" shakes the premise of the faith moreso than "The DaVinci Code" or "The Last Temptation of Christ" does Christianity.The last fifty or so pages were so intense that I could only read them in short bursts. I am usually bored with fiction because most authors telegraph plot and character developments. Nothing is a surprise, you can see it coming a mile away. "The Satanic Verses" kept me guessing and challenged. It was the most satisfying reading experience I've had in a while.

N
Ninos Y.

I am very happy to have had a chance to read this long, funny, sad, yet beautiful novel. I wish if they can make a movie or a comic version of it.

R
Ryan F.

Iran just really knows how to sell me a book.I will attentively read every word. Will update this review once I’m done.

J
Josh L.

Religious violence has no place in a civilized world.

A
Anna.

This is a stunningly good book. It's worth reading many times over. So glad I read the PDF version, because I was looking up phrases, literary references, and word meanings constantly.

M
Mark D.M.

I am reading this for the third time. It is one of my favorite books. Mr. Rushdie obviously has a brilliant, quick intellect. This book is comprised of several stories, mostly centering on the experiences of a man who is elevated to the status of an angel, the other demoted to the status of a devil. Even though this book has a large imaginative and intellectual scope, there are some scenes of such tenderness and pathos that lead me to believe that Mr. Rushdie is a most compassionate soul. However, even though I have read it several times, I am still unable to determine if Mr. Rushdie had any theme in mind or if he was just spewing out his brilliant mind. The book starts with the two protagonists falling through the sky after the plane they were riding was hijacked and bombed by a terrorist. For what seems forever, Mr. Rushdie creates the sensation of falling, falling, falling. This book is a tour de force of writing.Actually, there are two possible themes that are coming to mind. First is the pain of not belonging which is shown clearly by the lives of South Asian and black immigrants in London; and very poignantly by a character in India who earns his living as a clown. He was born a lower caste Hindu and to escape the pain of it converted to Islam, but he isn't even accepted in that world either. His only true companion is his pet bull who he dresses up and uses in his clown acts. The other possible theme could be the paradox of good and evil existing side by side. Gibreel Farishta's lover's father, a Holocaust survivor, says, "'...the most dangerous of all the lies we are fed in our lives,' which was in his opinion, the idea of the continuum. 'Anybody ever tries to tell you how this most beautiful and most evil of planets is somehow homogenous, composed only of reconcilable elements, that it all adds up, you get on the phone to the straightjacket tailor...'"Yes, there is a destructive Mahound and imam who either themselves or whose helpers torture and gorge on innocent people, but that is a fact of life. I read several reviews in which the writers were claiming that Rushdie was being spiteful in writing this book, but even though I believe he knew exactly what were going to be the results of publishing it, I doubt he meant spite. An artist reacts intellectually and emotionally to the world around them, gets ideas, thoughts, tastes, and a writer is compelled to write them. However, I am waiting for someone to write a novel about a writer with only one successful book behind him, whose sales are diminishing, who makes an arrangement with a notorious religious despot that he will write a disparaging expose and the despot will put a fatwa on his head, thereby ensuring fame and fortune for them both by the sheer magnitude of the ensuring notoriety.

J
Jdwdrums

Got this to read for a class I was taking. I really got into the story. A very, very good read.

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